Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K
(2021)
Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K Blu-ray delivers stunning video and reference-quality audio in this exceptional Blu-ray release
No synopsis for Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K.
For more about Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K and the Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K Blu-ray release, see Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K Blu-ray Review published by Jeffrey Kauffman on November 5, 2021 where this Blu-ray release scored 4.5 out of 5.
If one were to compile a list of so-called Guitar Gods, chances are it would almost automatically have to feature Eric Clapton at or near the top, at
least within the relative confines of rock (however wide Clapton's path through that territory has been). What's kind of interesting about Clapton's
long and storied career, though, is how he's remembered differently by various fans in terms of which era and/or hits they prefer, which may actually
be a
generational thing at times, something that in and of itself points out Clapton's longevity and ability to weather the vagaries of fate, fame and fortune.
With regard to handling any curveballs that life may throw, Clapton wasn't about to let a little thing like a global pandemic completely shut
down his plans to share some of his music,
though a planned set of shows at the venerable Royal Albert hall slated for 2021 were in fact canceled due to the situation. That set up an
opportunity for Clapton to arrange and kind of beautifully "private" filmed concert which features the spectacular surroundings of Cowdray House in
West Sussex, England. This is an "unplugged" Clapton in terms of overall sensibility and also the focus on acoustic guitar (he does haul out the
electric, lest anyone be too concerned), but it's going to be a real
spirit lifter for anyone who has been missing live music in general and Eric Clapton in particular.
There's a bit of a discrepancy between both some prefatory text before the concert gets underway which echoes some verbiage on the back cover
of
this
release, both of which state it was a February 2021 cancellation of Royal Albert Hall shows that sparked the genesis of this project, and a more in
depth essay by Paul Sexton offered in this release's
insert booklet, where Sexton discusses a March 2021 confab of Clapton's "people" where planned dates in May at Royal Albert Hall were deemed
impossible to do at that particular juncture, and would therefore have to be postponed for a year. Sexton also mentions that Clapton had already
had to
announce that a European tour that was initially scheduled to take place after the Royal Albert Hall performances would also have to be delayed
until
at least spring or summer of 2022. But the actual important point in all of this is that Sexton's assessment of Clapton's resilient state of mind and
the
fact that this performance exists at all both point to Clapton's refusal to "give in" to the state of affairs. That gives this entire enterprise a rather
heartfelt emotionalism that is probably only further emphasized by stripped down arrangements that are frankly not all that "showy", but still offer
some viscerally effective moments.
Sexton's essay gets into some of the background of Cowdray House, which is prominently featured in interstitials (as are the stunning grounds
surrounding the estate), and mentions how it may have "helped" that Clapton had planned to have his rehearsals for the planned Royal Albert Hall
and subsequent tour performances there anyway. Kind of humorously, given how photogenic everything there is, Clapton evidently wanted to have
a reassurance from director David Barnard that it could work. The aesthetics may have frankly been less of a concern than how "live" the
performance room was, and the essay discusses some of the filming and engineering challenges the setting offered.
Perhaps amazingly, then, there's some fantastic coverage of Clapton and bandmates Chris Stainton (keyboards), Nathan East (bass and vocals) and
Steve Gadd (drums) that can almost tend to "insert" the viewer into really up close and personal views of the players and their
instruments. There are some sweet moments of playfulness, as one segue where Nathan East doesn't quite get to his bass in time (after having
played guitar), and Clapton jokingly stops and lets them start over. Fans of this great "backup" (?) band will delight in sidebars like how intently
focused on Clapton Gadd is throughout the performance. Stainton offers some keyboard approximations of pedal steel and/or slide guitar on some
of the tunes. This piece's title refers to a cameo that won't be spoiled here.
Note: Screenshots are sourced from the 1080 Blu-ray.
Eric Clapton: The Lady in the Balcony - Lockdown Sessions is presented in 4K UHD courtesy of Mercury Studios with a 2160p transfer in
1.89:1. This 4K UHD versions takes an already outstanding 1080 version from the "standard" Blu-ray and ups both detail levels and palette highlights.
This is such a new release that there's not even an IMDb listing for it that I could find, and I have frankly found very little information online
about the project, but I have to assume this was captured at or near 4K and finished similarly, simply due to the detail levels on display (as always with
these assumptions, if anyone can point me toward authoritative information, Private Message me and I'll happily update things here). While the actual
concert is probably not going to knock anybody's socks off, visually speaking, it does offer secure renderings of very fine detail like the pattern on
Clapton's acoustic's face, or even his denim shirt. The variety of perspectives David Brandon has arranged also provides very precise looks at facial
features, and other elements of the various instruments, like Gadd's brushes or the strings on East's double bass. There's still just the hint of image
instability on a couple of the panning shots, but to my eyes these also looked better in this version than on the 1080 version.
Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K features three superb sounding audio options, Dolby Atmos, DTS-HD Master
Audio 5.1 and LPCM 2.0. I'll give just one salient example of how thrilling the Atmos and DTS-HD Master Audio 5.1 mixes in particular are (though to a
lesser extent, even the LPCM 2.0 track offers support for this), and that's with regard to the fact that you can feel the air pressure change
when Nathan East thunks out a low note on his double bass. Interestingly, in terms of low end forcefulness, Gadd is relatively restrained throughout
the concert, often offering just hands on drum heads, or occasionally brushes, so there's not a ton of percussive emphasis in many of the
arrangements. Clapton sounds fantastic, all things considered, not really reaching for any of the high notes anymore, but with an expressive
melancholy in his vocals that's quite moving at times. His guitar playing is of course flawless and is captured on these tracks with sterling fidelity.
It's been a tough haul for both performing artists and audiences, and it's incredibly uplifting to see someone of Clapton's stature simply refuse to bow to
the supposedly unavoidable "cancellation" of his performances. Clapton's sometimes controversial "political" statements about the pandemic have
been widely reported, but this concert is free of them. This is not a "barn burning" performance for the most part, and is instead an almost
ruminative journey through both some expected hits and more surprising sidebars. The band plays with commendable esprit de corps, and
the surroundings are magnificent. Technical merits are first rate, and Eric Clapton: The Lady in the Balcony - Lockdown Sessions 4K comes
Highly recommended.
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Recently launched Mercury Studios, which now hosts Eagle Rock Entertainment's library on behalf of Universal Music Group, has officially announced that it will release on 4K Blu-ray/Blu-ray and Blu-ray/CD Eric Clapton: The Lady in the Balcony - Lockdown Sessions. ...
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