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Il Pomo D'oro|Mozart: The Beginning & The End

Mozart: The Beginning & The End

Il Pomo d'Oro, Maxim Emelyanychev

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This recording, made in June 2022, lays the first brick of a vast project; a new, complete set of Mozart's 41 symphonies by the ensemble Il Pomo d'Oro, conducted by Maxim Emelyanychev for the Aparté label. The title of the album, The Beginning and the End, clearly describes the ambitions of the undertaking, which will naturally take several years to realise.


Mozart's Symphony No. 1, in E flat major, K. 16, composed during a trip to London at the age of... eight, is a touching mixture of extraordinary precocity and the awkwardness one would expect from such a young composer, with a rather simplistic harmonic march in the first movement, redundant and repetitive in an andante stretching over fifty tirelessly repeated bars.


The contrast between this first attempt and the absolute masterpiece that is the Jupiter Symphony is a perfect showcase of the dazzling breadth of Mozart's genius. It is just about softened by Maxim Emelyanychev’s fine performance of Concerto No. 23 in A major, played on a replica of a Conrad Graf fortepiano from 1823. Nicolas Bartholomée, the recording director, gives a mellow character and a very natural depth to the recording through Our-Lady of Lebanon's grand acoustics, which has been used for many years as a recording studio. © François Hudry/Qobuz

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Mozart: The Beginning & The End

Il Pomo D'oro

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Symphony No. 1 in E-Flat Major, K. 16 (Wolfgang Amadeus Mozart)

1
I. Molto allegro
00:06:08

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

2
II. Andante
00:05:52

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

3
III. Presto
00:01:52

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

Piano Concerto No. 23 in A major, K. 488 (Wolfgang Amadeus Mozart)

4
I. Allegro
00:11:15

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, MainArtist - Maxim Emelyanychev, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

5
II. Adagio
00:06:41

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, MainArtist - Maxim Emelyanychev, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

6
III. Allegro assai
00:07:56

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, MainArtist - Maxim Emelyanychev, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

Symphony No. 41 in C Major, K. 551 "Jupiter" (Wolfgang Amadeus Mozart)

7
I. Allegro vivace
00:11:17

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

8
II. Andante cantabile
00:10:16

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

9
III. Menuetto. Allegretto - Trio
00:05:15

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

10
IV. Molto allegro
00:11:43

Wolfgang Amadeus Mozart, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Maxim Emelyanychev, Conductor, MainArtist

2023 Aparté/Little Tribeca 2023 Little Tribeca · Il Pomo d'Oro

Album review

This recording, made in June 2022, lays the first brick of a vast project; a new, complete set of Mozart's 41 symphonies by the ensemble Il Pomo d'Oro, conducted by Maxim Emelyanychev for the Aparté label. The title of the album, The Beginning and the End, clearly describes the ambitions of the undertaking, which will naturally take several years to realise.


Mozart's Symphony No. 1, in E flat major, K. 16, composed during a trip to London at the age of... eight, is a touching mixture of extraordinary precocity and the awkwardness one would expect from such a young composer, with a rather simplistic harmonic march in the first movement, redundant and repetitive in an andante stretching over fifty tirelessly repeated bars.


The contrast between this first attempt and the absolute masterpiece that is the Jupiter Symphony is a perfect showcase of the dazzling breadth of Mozart's genius. It is just about softened by Maxim Emelyanychev’s fine performance of Concerto No. 23 in A major, played on a replica of a Conrad Graf fortepiano from 1823. Nicolas Bartholomée, the recording director, gives a mellow character and a very natural depth to the recording through Our-Lady of Lebanon's grand acoustics, which has been used for many years as a recording studio. © François Hudry/Qobuz

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